Battlestar: Dayfile (Part 1 of 2), reposting

[Peter E. Yee]

This is is a reposting of the dayfile from BATTLESTAR.  It has been split
in half to facilitate posting.  To recover the complete dayfile, extract
this file, and the other half of it, and concatenate the two into one file
called dayfile. This file corresponds to the first half of part one of
my previous posting of Battlestar.

#	This is a shell archive.
#	Remove everything above and including the cut line.
#	Then run the rest of the file through sh.
-----cut here-----cut here-----cut here-----cut here-----
#!/bin/sh
# shar:	Shell Archiver
#	Run the following text with /bin/sh to create:
#	day1
# This archive created: Thu Jan 24 20:29:46 1985
cat << \SHAR_EOF > day1
@(#)dayfile	1.2 11/28/84
1: You are in the main hangar.
5 2 9 3 3 1 0 0
This is a huge bay where many fighters and cargo craft lie.  Alarms are 
sounding and fighter pilots are running to their ships.  Above is a gallery
overlooking the bay. The scream of turbo engines is coming from +. The rest
of the hangar is +. There is an exit +.*

2: This is the landing bay.
1 0 10 0 0 0 0 0
Ships are landing here, some heavily damaged. Enemy fighters continually
strafe this vulnerable port. The main hangar is +, *
There is an exit +.*

3: You are in the gallery.
4 0 0 0 0 0 1 0
>From here a view of the entire landing bay reveals that our battlestar
is near destruction. Fires are spreading out of control and laser blasts
lick at the shadows. The control room is +. ***

4: You are in the control room.
0 3 0 0 0 0 5 0
Several frantic technicians are flipping switches wildly but otherwise
this room seems fairly deserted.  A weapons locker has been left open.
A staircase leads down. * There is a way -. **        

5: This is the launch room.
6 1 7 0 4 1 0 0
>From the launch tubes here fighters blast off into space. Only one is left,
and it is guarded by two fierce men. A staircase leads up from here.
There is a cluttered workbench +. From the main hangar come sounds of great
explosions.  The main hangar is +. The viper launch tubes are to the -.*

6: You are at the workbench.
0 5 7 0 0 0 0 0
Strange and unwieldy tools are arranged here including a lunch box 
and pneumatic wrenches and turbo sprocket rockets.*
The launch room is +. The remaining viper is +.*

7: You are in the viper launch tube.
0 5 0 5 32 0 0 0
The two guards are eyeing you warily! ****

8: This is a walk in closet.
22 0 0 0 0 0 0 0
A wardrobe of immense magnitude greets the eye.  Furs and robes of kings
hang on rack after rack.  Silken gowns, capes woven with spun gold, and 
delicate synthetic fabrics are stowed here.  The bedroom is +.***

9: You are in a wide hallway leading to the main hangar.
0 0 11 1 0 0 0 0
The walls and ceiling here have been blasted through in several places.
It looks as if quite a battle has been fought for possession of the landing bay
Gaping corpses litter the floor.**  The hallway continues +.
The main hangar is +.

10: You are in a wide hallway leading to the landing bay.
0 0 12 2 0 0 0 0
Most of the men and supplies needed in the main hangar come through this
corridor, but the wounded are forced to use it too. It very dank and
crowded here, and the floor is slippery with blood.**
The hallway continues -. The landing bay is +.

11: The hallway is very congested with rubble here.
0 0 0 9 13 1 0 0
It is too choked with broken steel girders and other debris to continue
on much farther. Above, the ceiling has caved in and it is possible to 
climb up. There is not much chance to go -, -, or -.
But the hallway seems clearer +.

12: A wide hallway and a more narrow walkway meet here.
14 15 0 10 0 0 0 0
The intersection is crowded with the many wounded who have come up
the wide hallway and continued +. The walkway is less crowded +.
The wide hallway goes *-.

13: You are in what was once an elegant stateroom.
16 0 0 0 0 0 11 0
Whoever lived in this stateroom, he and his female companion
were mercilessly slain in their sleep. Clothes, trinkets and personal
belongings are scattered all across the floor. Through a hole in the
collapsed floor I can see a hallway below.  A door is +.***

14: You're at the entrance to the sick bay.
17 12 18 0 0 0 0 0
The wounded are entering the sick bay in loudly moaning files.
The walkway continues - and +. A doctor is motioning for you to 
come to the -. *

15: You're in the walkway.
12 19 0 0 0 0 0 0
Most of the men and supplies were coming from the armory. The walkway
continues -. The armory is +.**

16: These are the executive suites of the battlestar.
20 13 21 22 23 1 24 0
Luxurious staterooms carpeted with crushed velvet and adorned with beaten
gold open onto this parlor. A wide staircase with ivory banisters leads
up or down. This parlor leads into a hallway +. The bridal suite is +.
Other rooms lie - and +.

17: You're in a long dimly lit hallway.
0 14 25 0 0 0 0 0
This part of the walkway is deserted. There is a dead end +. The
entrance to the sickbay is +. The walkway turns sharply -.*

18: This is the sick bay.
0 0 0 14 0 0 0 0
Sinister nurses with long needles and pitiful aim probe the depths of suffering
here. Only the mortally wounded receive medical attention on a battlestar,
but afterwards they are thrown into the incinerators along with the rest.**
Nothing but death and suffering +.  The walkway is +.

19: You're in the armory.
15 26 0 0 0 0 0 0
An armed guard is stationed here 365 sectars a yarn to protect the magazine.
The walkway is +. The magazine is +.**

20: The hallway ends here at the presidential suite.
27 16 0 0 0 0 0 0
The door to this suite is made from solid magnesium, and the entryway is
inlaid with diamonds and fire opals. The door is ajar +. The hallway
goes -.**

21: This is the maid's utility room.
0 0 0 16 0 0 0 0
What a gruesome sight! The maid has been brutally drowned in a bucket of
Pine Sol and repeatedly stabbed in the back with a knife.***
The hallway is +.

22: This is a luxurious stateroom.
0 8 16 0 0 0 0 0
The floor is carpeted with a soft animal fur and the great wooden furniture
is inlaid with strips of platinum and gold.  Electronic equipment built
into the walls and ceiling is flashing wildly.  The floor shudders and
the sounds of dull explosions rumble though the room.  From a window in
the wall + comes a view of darkest space.  There is a small adjoining
room +, and a doorway +.*

23: You are at the entrance to the dining hall.
0 0 28 0 0 0 16 0
A wide staircase with ebony banisters leads down here.**
The dining hall is to the -.*

24: This was once the first class lounge.
0 0 29 0 16 1 0 0
There is much rubble and destruction here that was not apparent elsewhere.
The walls and ceilings have broken in in some places. A staircase with
red coral banisters leads up. It is impossible to go - or -.
It seems a little clearer +.*

25: You are in a narrow stairwell.
0 17 0 0 30 1 0 0
These dusty and decrepit stairs lead up.  There is no way -.  The
hallway turns sharply -.**

26: You are in the magazine.
19 0 0 0 0 0 0 0
Rows and rows of neatly stacked ammunition for laser pistols and grenade
launchers are here. The armory is +.***

27: You're in the presidential suite.
0 20 0 0 0 0 0 0
Apparently the president has been assassinated. A scorched figure lies
face downward on the carpet clutching his chest.*
The hallway leads -.**

28: You are in the dining hall.
0 30 31 23 0 0 0 0
This was the seen of a mass suicide. Hundreds of ambassadors and assorted
dignitaries sit slumped over their breakfast cereal. I suppose the news
of the cylon attack killed them. There is a strange chill in this room.  I
would not linger here. * The kitchen is +. Entrances + and +.

29: The debris is very thick here.
0 11 0 24 0 0 0 0
Broken furniture, fallen girders, and other rubble block the way.
There is not much chance to continue -, -, or -.
It would be best to go -.

30: You are in the kitchen.
28 0 0 0 0 0 0 0
This room is full of shining stainless steel and burnished bronze cookware. An 
assortment of tropical fruits and vegetables as well as fine meats and cheeses 
lies on a sterling platter. The chef, unfortunately, has been skewered like a 
side of beef. The dining room is +. ** There is a locked door +.

31: You are in an arched entry leading to the dining room.
0 0 0 28 0 0 0 0
The door leading out is bolted shut from the outside and is very strong.***
The dining room is +.

32: You are in space.
33 34 35 36 37 1 33 1
****

33: You are in space.
38 32 39 40 41 1 42 1
****

34: You are in space.
32 44 45 46 47 1 48 1
****

35: You are in space.
40 45 49 32 50 1 51 1
****

36: You are in space.
41 46 32 52 53 1 54 1
****

37: You are in space.
42 47 50 53 55 1 32 1
****

38: You are in space.
43 48 51 54 32 1 56 1
****

39: You are in space.
57 33 40 41 42 1 43 1
****

40: You are in space.
39 35 57 33 58 1 59 1
****

41: You are in space.
39 36 33 59 60 1 61 1
****

42: You are in space.
39 37 58 60 62 1 33 1
****

43: You are in space.
39 38 59 61 33 1 63 1
****

44: You are in space.
34 64 45 46 47 1 48 1
****

45: You are in space.
35 44 49 34 50 1 51 1
****

46: You are in space.
36 44 34 52 53 1 54 1
****

47: You are in space.
37 44 50 53 55 1 34 1
****

48: You are in space.
38 44 51 54 34 1 56 1
****

49: You are in space.
49 49 52 35 49 1 49 1
****

50: You are in space.
58 47 49 37 55 1 35 1
****

51: You are in space.
59 48 49 38 35 1 56 1
****

52: You are in space.
52 52 36 49 52 1 52 1
****

53: You are in space.
60 46 37 52 55 1 36 1
****

54: You are in space.
61 48 38 52 36 1 56 1
****

55: You are in space.
62 55 55 55 56 1 37 1
****

56: You are in space.
56 56 56 56 38 1 55 1
****

57: You are in space.
65 39 57 57 57 1 57 1
****

58: You are in space.
39 50 49 42 62 1 40 1
****

59: You are in space.
39 51 49 43 40 1 63 1
****

60: You are in space.
39 53 43 59 62 1 41 1
****

61: You are in space.
39 54 43 59 41 1 56 1
****

62: You are in space.
39 55 62 62 56 1 42 1
****

63: You are in space.
39 56 35 36 43 1 55 1
****

64: You are in space.
44 66 66 66 66 1 66 1
****

65: You are in space.
67 57 67 67 67 1 67 1
****

66: You are in space.
64 68 68 68 68 1 68 1
****

67:You are orbiting a small blue planet.
67 67 67 67 65 1 69 1
****

68: You are orbiting a tropical planet.
68 68 68 68 66 1 70 1
****

69: You are flying through a dense fog.
69 69 69 69 69 1 69 1
A cold grey sea of mist is swirling around the windshield and water droplets
are spewing from the wingtips. Ominous shadows loom in the darkness and it
feels as if a trap is closing around us. I have lost all sense of direction.
****

70: You are approaching an island.
71 72 73 74 68 1 0 1
Coconut palms, sword ferns, orchids, and other lush vegetation drape this
jagged island carved seemingly from pure emerald and set in a turquoise
sea. The land rises sharply +. There is a nice beach* +.*

71: You are flying over a mountainous region.
75 73 76 77 68 1 0 1
Below is a magnificent canyon with deep gorges, high pinnacles and
waterfalls plummeting hundreds of feet into mist. Everything in sight
is carpeted with a tropical green.* The ocean is +.**

72: You are flying over the ocean.
74 78 78 78 68 1 0 1
You bank over the water and your wingtips dip low to the green waves.  The
sea is very shallow here and the white coral beds beneath us teem with 
colorful fish.****

73: You are flying over the beach.
71 72 79 74 68 1 80 1
A warm gentle surf caresses the white coral beach here. The land rises
sharply +.* The beach is lost in low cliffs and rocks +.*

74: You are flying over a large lagoon.
81 72 73 82 68 1 0 1
Encircled by a coral reef, the palms and ferns in this sheltered spot
have grown down to the water's very brink which winds tortuously inland.
There looks like a small village +.***

75: You are flying over a gently sloping plane.
83 71 84 85 68 1 0 1
This is where several alluvial fans and ancient lava flows have run
together forming a fertile plane choked with vegetation. It would be
impossible to land safely here.* The terrain is more rugged +.**

76: You are flying through a gorge.
0 0 86 71 68 1 102 1
This narrow, steep sided canyon is lined with waving ferns. The floor is of
light gravel with many freshets pouring from the walls and running along it.
The gorge leads to the sea** +, and to a tumultuous origin +.

77: You are flying over a plantation.
85 81 71 88 68 1 89 1
Rows of palms, papayas, mangoes, kiwi, as well as smaller fields of sugar
cane and pineapple are growing here. It might be possible to land here, but
I wouldn't advise it.* There looks like two small settlements +     
and *+.

78: You are over the ocean.
72 78 79 74 68 1 0 1
The deep green swells foam and roll into the shore **+*.

79: You are flying along the coast.
86 72 90 73 68 1 91 1
The coastline here is very rocky with little or no sand. The surf in some
places is violent and explodes in a shower of sparkling spray.
There is a winding road below which closely follows the shore. ****

80: This is a beautiful coral beach.
106 0 107 108 73 0 0 0
Fine silver sand kissed lightly by warm tropical waters stretches at least
30 meters here from the ocean to under gently swaying palms +.***

81: You are flying over a small fishing village.
77 74 71 82 68 1 92 1
A few thatched huts a short distance from the water and row of more modern
bungalows on either side of a dirt road are all that is here. The road
continues on ***+.

82: You are flying over a clearing.
88 72 74 87 68 1 93 1
There is a dock here (big enough for a seaplane) leading to a grassy
meadow and a road. Some people are having a party down there.  Below is
a good landing site. ****

83: You are flying over the shore.
94 75 95 96 68 1 0 1
Rocky lava flows or coarse sandy beaches are all that is here except for
sparse herbs and weeds.****

84: You are flying in a wide valley.
95 97 86 75 68 1 98 1
This is a shallow valley yet the floor is obscured by a thick mist.
The valley opens to the sea +. The mist grows thicker +.**

85: You are flying near the shore.
96 77 75 99 68 1 0 1
Very tall palm trees growing in neatly planted rows march off from the 
water here towards the hills and down to the flat lands *+.*
There is a nice beach +.

86: You are flying around the very tip of the island.
95 79 90 84 68 1 0 1
There is no beach here for sheer cliffs rise several hundred feet
to a tree covered summit. Far below, the blue sea gnaws voraciously at
the roots of these cliffs. The island bends around +** and +.

87: You are flying along the coastline.
99 82 88 100 68 1 101 1
There is a narrow strip of sand here lined with ferns and shrubs, but very
few trees. The beach is barley wide enough to land on. The beach continues
on -.* There are some buildings +.*

88: You are flying over several cottages and buildings
99 82 77 87 68 1 103 1
The grounds here are landscaped with palm trees, ferns, orchids, and beds of
flowering plumeria and antheriums. Directly below is a small ornate white
house with a belltower, a lush green lawn, and a spurting fountain.
Small dirt roads go + and +.**

89: You are in a field of sugar cane.
109 110 111 112 77 0 0 0
These strong, thick canes give little shelter but many cuts and scrapes.
There are some large trees ***+.

90: You are flying over the ocean.
95 78 90 86 68 1 0 1
The water is a placid turquoise and so clear that fish and sharks
many fathoms below are clearly visible.****

91: You are on the coast road.
113 114 115 116 79 0 0 0
The road winds close to the shore here and the sound of crashing surf is
deafening.* The water is +. The road continues - and -.

92: You are on the main street of the village.
117 118 119 120 81 0 0 0
Thatched roofs and outrigger canoes, palm trees and vacation bungalows, and
comely natives in a tropical paradise all make this a fantasy come true.
There is an open bungalow +.*  The road continues - and -.

93: You are at the sea plane dock.
121 122 123 124 82 0 0 0
Native girls with skin of gold, clad only in fragrant leis and lavalavas,
line the dockside to greet you. A couple of ukulele plucking islanders and a
keyboard player are adding appropriate music. A road crosses the clearing 
+*.  There are some tables set up +.*

94: You are flying over the ocean.
94 83 95 96 68 1 0 1
Sea weeds and kelp surge in the waves off shore here.  The ocean becomes 
much deeper +.***

95: You are flying along the coast.
94 84 86 83 68 1 0 1
The land is very low here with a river running into the sea +. There
is a wide valley opening up +. The very tip of the island is +.*

96: You are flying along the coast.
94 85 83 99 68 1 0 1
There are some secluded sandy stretches of beach here, but too many rocky
outcroppings of lava to land. There is a nicer beach ***+.

97: You are lost in a sea of fog.
97 104 97 97 97 1 0 1
What have you gotten us into?
I cant see a thing! ****

98: You are on a gravel wash.
125 126 127 128 84 0 0 0
The sound of cascading water is the background for a diluted chorus of 
gurgling, splashing, and enchantingly delicate singing. Great billows
of steam are rising *+.**

99: You are flying over a wide beach.
96 88 85 87 68 1 105 1
Unlike the leeward beaches, few coconut palms grow here but a well groomed
lawn and garden with traipsing stone walks leads down to the sand.*
There are some buildings +. Some trees are growing +.*

100: You are flying over the ocean.
100 100 87 100 68 1 0 1
The sea is a perfectly clear blue with a white sandy bottom.  No coral
grows underwater here, but the force of the waves is broken by the steep
incline.****

101: You are on a narrow strip of sand.
129 130 131 0 87 0 0 0
Rather coarse sand makes this beach very steep and only a few meters wide.
A fresh ocean breeze is rustling the ferns **+.*

102: This is Fern Canyon.
0 0 132 133 76 0 0 0
Delicate waving ferns flourish here, suckled by warm water dripping from 
every fissure and crevice in the solid rock walls.
The canyon winds **-, and -.

103: This is the front lawn.
134 135 136 137 88 0 0 0
There is a small fountain here where the driveway meets the lawn.
Across the driveway, +, is an ornate white house with and elegant 
woodworking.  The bargeboards are carved with fylfots, the ancient 
symbols of luck.  Even a bell tower has been built here.*  There is a 
road + which turns into the driveway.*

104: You have just crossed the crest of a mountain.
97 79 86 71 68 1 0 1
The fog vanished mysteriously as we flew over the crest.*
Far + I can see the ocean.**

105: You are on a sandy beach.
138 139 140 0 99 0 0 0
This is the only good beach on the weather side of the island. Fine coral
sand, a fresh sea breeze, and dramatic surf add to its appeal.**
Stone steps lead to the gardens +.*

106: You are among palm trees near the shore.
141 80 142 143 73 0 0 0
Arching coconut palms laden with fruit provide a canopy for the glistening
white sand and sparse grasses growing here. The forest grows denser +.
The ocean is +.**

107: You are walking along the beach.
144 0 145 80 73 0 0 0
The warm tropical waters nuzzle your ankles as you walk. Above is a fiercely
blue sky. The slope of the sand is so gentle that two hundred meters
offshore the water is only knee deep.** There are some rocks +.*

108: You are walking along the beach.
146 0 80 147 73 0 0 0
Many beautiful shells have been washed up here including bright yellow 
cowries, chocolate colored murex, orange conchs, striped tritons and the
deadly cone shells.****

109: You are in a papaya grove.
148 89 149 150 77 0 0 0
Green slender trees no taller than three meters bulge with their
orange succulent fruit. There are some tall trees +.***

110: You are in a field of pineapple.
89 151 152 153 77 0 0 0
The sharp dagger like pineapple leaves can pierce the flesh and hold fast
a skewered victim with tiny barbs.* The field ends +.**

111: You are in a field of kiwi plants.
149 154 155 89 77 0 0 0
Round hairy fruit hang from staked vines here. There are some trees +
and +. The field ends in a dirt road +.*

112: You are in a large grove of coconuts.
150 153 89 156 77 0 0 0
These trees are much taller than any growing near the shore plus the fat,
juicy coconuts have been selectively cultivated. The grove continues
+, +, *and +.

113: You are in the woods.
157 91 158 116 79 0 0 0
Tropical undergrowth makes the going rough here. Sword ferns give no strong
foot hold and the dangling vines would gladly throttle one. Strange cackling
noises are coming from somewhere +.***

114: You are at the shore.
91 0 159 145 79 0 0 0
Explosions of surf jetting out of underwater tunnels here make it
impossible to climb down to a small cave entrance below.  Only at rare
minus tides would it be possible to enter.***  The beach is better +.

115: You are on the coast road.
158 161 162 91 79 0 0 0
The road is beginning to turn inland.* I can here the surf +. The road
continues +.*

116: The road winds deeper into the trees.
163 142 91 164 79 0 0 0
Only narrow sunbeams filter through the foliage above. The moist rich earth
has nurtured a myriad of trees, shrubs, and flowers to grow here. The
road continues - and *- from here.*

117: This is the front porch of the bungalow.
165 92 0 0 81 0 0 0
These wooden steps and porch are very bucolic. A little woven mat on the 
doorstep reads "Don't Tread on Me". The open front door is +.
A stone walk leads to the main street +.**

118: You are on a path leading to the lagoon.
92 166 167 168 81 0 0 0
This path trampled fern, grass, sapling, and anything else that got in its
way.* The water is +.**

119: This is a dirt road.
169 118 170 92 81 0 0 0
**The road continues on - here for some distance. A village is +.

120: You are on a dirt road.
171 118 92 172 81 0 0 0
**There is a small village +. The road continues +.

121: You are on a dirt road.
173 93 174 175 82 0 0 0
The light tan soil of the road contrasts artistically with the lush green
vegetation and seering blue sky.*  There is a clearing and many people +.
The road continues - and -.

122: You are at the seaplane dock.
93 0 176 177 82 0 0 0
Several muscular, bronze skinned men greet you warmly as you pass under
a thatched shelter above the dock here. Polynesian hospitality.
There is a clearing +.* A trail runs around the lagoon + and +.

123: There are some tables on the lawn here.
121 122 123 93 82 0 0 0
Hors d'oeuvres, canapes, mixed drinks, and various narcotic drugs along with
cartons of Di Gel fill the tables to overflowing. Several other guests are
conversing and talking excitedly****.

124: You are nosing around in the bushes.
124 124 93 124 82 0 0 0
There is little here but some old beer cans. You are making fools out of
us in front of the other guests.** It would be best to go -.*

125: You are walking in a dry stream bed.
178 98 179 0 84 0 0 0
The large cobblestones are difficult to walk on. No sunlight reaches
below a white canopy of fog seemingly generated from *+.  A dirt path 
along the wash is +. A high bank is impossible to climb +.

126: You are at the thermal pools.
98 0 180 181 84 0 0 0
Several steaming fumaroles and spluttering geysers drenched by icy mountain
waters from a nearby waterfall heat half a dozen natural pools to a
delicious 42 degrees. Enchantingly beautiful singing seems to flow from the
water itself as it tumbles down the falls.*** There is a mossy entrance
to a cave +.

127: You are in the woods.
127 180 182 98 84 0 0 0
Coniferous trees girded by wild huckleberries, elderberries, salmonberries
and thimbleberries enjoy a less tropical climate here in the high mountains.
*The sound of rushing water is coming from +.**

128: You are on a dirt trail.
179 181 98 0 84 0 0 0
The trail seems to start here and head -.** High cliffs border the 
trail +.

129: You are  walking along the beach.
183 101 184 0 87 0 0 0
A rather unnerving surf explodes onto the beach here and dashes itself into
spray on the steep incline. The beach continues + and +.**

130: You are walking along the beach.
101 185 186 0 87 0 0 0
This is not a very nice beach. The coarse sand hurts my feet.****

131:You are walking through some ferns.
184 186 187 101 87 0 0 0
This is a wide field growing only ferns and small shrubs.** The 
ocean is *+.

132: You are in a narrow canyon.
0 0 188 102 76 0 0 0
The steep sides here squeeze a little freshet through a gauntlet like
series of riffles and pools.****

133: The canyon is much wider here.
SHAR_EOF
if test 23581 -ne "`wc -c day1`"
then
echo shar: error transmitting day1 '(should have been 23581 characters)'
fi
#	End of shell archive
exit 0